Nestled within the picturesque landscapes of Victoria’s High Country, Stephanie and Lachlan chose the idyllic Euroa Butter Factory as the backdrop for their enchanting rustic wedding soirée. Set against beautifully restored buildings and lush gardens, this venue was the perfect setting for Stephanie and Lachlan’s celebration.
The wedding was beautifully captured by Tahnee Jade Photography, who has kindly shared some photos with us. You can see the rest of this gorgeous wedding over at Ivory Tribe.
The Invitations
Stephanie and Lachlan designed their invitations to reflect the warm, rustic character of the Euroa Butter Factory. Printed on eco-friendly handmade Maximus Eco paper, the suite had a beautiful soft texture that suited the venue perfectly.
They wanted the design to feel personal, so we included hand-drawn lavender sprigs with sentimental meaning, along with an illustration of the venue itself. It gave the suite a sense of place and story.
To finish, each invitation was wrapped in a vintage-inspired ivory cotton lace band and tied with brown twine. Stephanie added a small sprig of lavender to every piece, which brought a natural, slightly undone feel. French lavender wax seals from La Pomme Et La Pipe Press (now PommePipeUK) completed the envelopes and tied the whole suite together.

The Place Cards
The on-the-day stationery seamlessly echoed the design of the wedding invitations, ensuring a cohesive aesthetic.
The place cards, printed on the same Maximus Eco paper, featured the same lavender illustration from the invitations. Each place card was hole-punched and finished with a combination of a sheer organza ribbon and brown twine. This clever touch allowed the twine to serve a dual purpose; later being used to tie the place card over a rolled napkin, garnished with a delicate eucalyptus leaf.
The Signage
Stephanie and Lachlan wanted to keep the signage consistent with the rest of the stationery and use the same paper as the invitations and place cards. Additionally, they had two gorgeous gold-framed mirrors that they wanted to use to display the seating chart and the menu.
However, the dilemma we faced was that the Maximus Eco paper was only available in A4.
After thinking through all the possible options, we decided to use simulated texture for the design. That meant scanning in a sheet of Maximus Eco paper to get a digital version of it, and then using that digital version to create a background for the design. We got it printed on matte poster paper, and Stephanie and Lachlan proceeded to get it framed. The results turned out beautifully!

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